A curated collection of dance inspired artworks where movement, form, and spatial design converge.
Choreographed Frames | The Architecture of Dance
Timed to coincide with International Dance Day, Choreographed Frames presents a refined investigation into the intersection of body and space—a visual dialogue where choreography meets spatial design. Through the lens of contemporary artists Tyler Shields, Juan Sebastian, and Yevgeniy Repiashenko, these dance inspired artworks translate movement into sculptural clarity and architectural rhythm.
This is movement not as spectacle, but as structure. Each image captures the silent geometry of performance: the held breath before a leap, the sculptural tension within stillness, the negative space that frames a limb mid-extension. These compositions echo the discipline of architectural form—rooted in balance, driven by precision.
Bodies as Spatial Instruments
The selected works draw on the body as both medium and message. Shields isolates moments of choreographic tension, allowing shadow and form to assert dominance. Sebastian constructs sequences where motion is distilled into architectural abstraction. Repiashenko, meanwhile, engages with light and volume to create images that evoke the spatial logic of a built environment.
Across the curation, the dancer is no longer subject but spatial designer. Their gestures become site plans—each arc, a structural gesture in a larger blueprint of rhythm and emotion.
When Choreography Echoes Structure
The visual language here is deliberate. Line is used not just compositionally, but as a mode of communication—like a minimalist facade or a cantilevered edge. These dance inspired artworks unfold in sequences that suggest order and intent, drawing parallels between physical movement and architectural intervention. The body becomes a vessel through which space is articulated and reshaped.
A Curated View
Choreographed Frames is not merely a celebration of dance—it is a study in spatial intelligence. As we mark International Dance Day, this curation reads less like a performance archive and more like a portfolio of ephemeral architecture. In these quiet, deliberate compositions, movement becomes memory. Stillness becomes form. And these dance inspired artworks leave behind more than impressions—they leave blueprints.

Tyler Shields ‘Swans’ 2018, Chromogenic Print,

Juan Sebastian ‘Azul III’ 2015, Fine Art Photography

Rodney Smith ‘Ballet Feet No. 1, Snedens Landing, New York’ 2002, Archival Pigment Print

Henri Matisse ‘Reclining Dancer’ 1927, Black and White Lithograph, Ed. 123/130

Yevgeniy Repiashenko ‘Asphodel’ 2020, Archival Pigment Print on Photo Paper, Ed. of 18, Includes a Certificate of Authenticity

Rob Woodcox ‘Time Travel’ 2019, Hahnemuhle Torchon Matte Fine Art Paper (archival), Ed. of 12, Includes a Certificate of Authenticity

Yevgeniy Repiashenko ‘No Title (No 90)’ 2019, Photography, Edition of 25

Juan Sebastian ‘Azul II’ 2015, Fine Art Photography

Suzy Raskin ‘Dance Party For One – 3’ 2020, Digital Photo Printed with Archival Pigment Inks and Paper, Includes a Certificate of Authenticity

Tyler Shields ‘Pointe’ 2014, Chromogenic Print on Kodak Endura Luster Paper, Includes a Certificate of Authenticity

Ali Alisir ‘Hybrid Souls 13’ 2022, Archival Pigment Print, Includes a Certificate of Authenticity

Tyler Shields ‘Four Ballerinas’ 2017, Chromogenic Print, Includes a Certificate of Authenticity

Matthew Stone ‘Contemporary Dance’ 2024, UV-Cured Ink on Linen, Includes a Certificate of Authenticity

Ken Browar and Deborah Ory ‘Danil Simkin, Principal, American Ballet Theatre’ 2016, Archival Pigment Photographs on Hahnemule Archival Paper, Includes a Certificate of Authenticity

Tyler Shields ‘Dancing Silhouette’ 2021, C-type Print Mounted on Dibond with Acrylic Face, Includes a Certificate of Authenticity

Gérard Uféras ‘Les Illusions Perdues d’Alexei Ratmansky, Moscou’ 2011, Pigment Print on Baryta Paper, Includes a Certificate of Authenticity

Indira Cesarine ‘The Dance’ 1992, Intaglio Ink on Cotton Paper, Ed. 1/1 + 1AP, Includes a Certificate of Authenticity

Howard Schatz ‘Underwater Study #1335’ 1996, Archival Pigment Print, Includes a Certificate of Authenticity

Ken Browar and Deborah Ory ‘James Whiteside’ 2019, Ed. of 10, Includes a Certificate of Authenticity

Katrin Korfmann ‘Ballet Rehearsal, Amsterdam’ 2018, Archival Inkjet Print Mounted on Archival Substrate

Tyler Shields ‘Red Wall III’ 2020, Chromogenic Print, Includes a Certificate of Authenticity

Ana D & Noora K ‘Exurgo’ 2023, Lenticular Print, Edition of 8 +2AP, Includes a Certificate of Authenticity

Juan Sebastian ‘La Dosis del Medio Dia’ 2015, Fine Art Photography

Robert Longo ‘Untilted (Men in the Cities)’ 2005, Color photography, Ed. of 15, Includes a Certificate of Authenticity

Edgar Degas ‘Dancer on Stage, Taking Her Bow’ 1891-1892, Soft Ground Etching, Aquatint and Drypoint on Laid Paper, Ed. of 50, Includes a Certificate of Authenticity

Matthew Stone ‘La Danse de Merion Extended I| (after Matisse)’ 2024, Acrylic and UV-Cured Ink on Linen Board, Includes a Certificate of Authenticity

Howard Schatz ‘Dance Study: Shannon Chain #16’ 2006, Archival Pigment Print

Rob Woodcox ‘Unity (FRAMED)’ 2018, Hahnemuhle Torchon Matte FineArt Paper (Archival), Ed. of 24, Includes a Certificate of Authenticity

Gérard Uféras ‘Onéguine de John Cranko, Moscou’ 2019, Pigment Print on Baryta Paper, Includes a Certificate of Authenticity

whatshisname ‘One Small Step: En Pointe’ 2023, Cast Marble Resin Sculpture with a Chromed Visor Hand-Signed by Whatshisname, Ed. of 95, Includes a Certificate of Authenticity

Yevgeniy Repiashenko ‘Elan’ 2019, Archival Pigment Print on Photo Paper, Ed. of 28, Includes a Certificate of Authenticity

Alberto Magrin ‘The Fifth’ 2021, Print Fine Art on Porcelain, Includes a Certificate of Authenticity

Fernando Cidoncha ‘Dancers’ 2024, Oil on Panel

Ken Browar and Deborah Ory ‘Calvin Royal III, Soloist, American Ballet Theatre’ 2019, Ed. of 10, Includes a Certificate of Authenticity

Imogen Cunningham ‘Three Dancers, Mills College’ 1929, Silver Gelatin Print, Includes a Certificate of Authenticity

Patricia Langrand ‘La Danseuse Bleue’ 2020, Acrylic on Canvas, Includes a Certificate of Authenticity

Salvador Dalí ‘Study for Scenography and Costume for the Ballet Bacchanale’ 1939, Ink, Felt-Tip Pen and Gouache on Paper, Includes a Certificate of Authenticity

Ken Browar and Deborah Ory ‘Samuel Lee Roberts, Alvin Ailey American Dance Theater’ 2018, Infused Dyes Sublimated on Aluminum

Ricky Cohete ‘Apertura and Apertura I’ Diptych, 2022, Archival Pigment Print, Includes a Certificate of Authenticity

Barbara Cole ‘Rose Reflection I from Le Petit Prince for National Ballet of Canada’ 2016, Chromogenic Print Face-Mounted to Plexiglass, Back-Mounted to Hidden Aluminum Channel

Guido Argentini ‘Hekate Argentum’ 2015, Chromogenic Print, Includes a Certificate of Authenticity

Edgar Degas ‘Danseuse Pres de la Poele’ 1888-1889, Lithograph in Mauve on Pale Cream Chine on Wove Support Sheet, Includes a Certificate of Authenticity

Yevgeniy Repiashenko ‘Lotus’ 2019, Archival Pigment Print on Photo Paper, Includes a Certificate of Authenticity