Exploring the tension between precision and abstraction in nature’s most ephemeral forms.
As nature’s quiet marvel, the bloom unfolds—delicate yet deliberate, fleeting yet eternal. Our latest curation, Floral Study: The Quiet Science of Blooming, delves into the intricate balance between structure and abstraction, where the artistry of flowers meets their ephemeral grace.
This collection reimagines the floral form as more than a symbol of beauty; it becomes a study of motion, light, and texture. Soft blurs mimic petals caught mid-sway, while sharp compositions reveal their architectural elegance. Hues fade into shadow, translucent layers invite contemplation, and organic shapes dissolve into dreamlike impressions. Each piece captures a bloom’s quiet transformation—emerging, unfurling, and fading—where the impermanence of life becomes art.
Florals, in all their fragility, hold an undeniable strength. The works featured in Floral Study echo this duality—drawing viewers into a dialogue between precision and imperfection, stillness and motion. Whether through delicate distortion or subtle abstraction, this curation invites you to explore the poetic nature of growth and decay.
This is more than a celebration of flowers. It’s a meditation on the unseen artistry that governs their bloom—a quiet science that transforms petals into poetry, and moments into timeless beauty.
Step into the wonder of Floral Study—where nature’s fleeting elegance is captured, reimagined, and eternalized.
![](https://axiomfineart.com/wp-content/uploads/2024/12/1-2.png)
Colby Caldwell ‘Garlands_(02)’ 2024, Archival Pigment Print, Mounted to Dibond and Waxed, Eds. 1-7- of 17
![](https://axiomfineart.com/wp-content/uploads/2024/12/16-2.png)
Irving Penn ‘Poppy’ ca. 1970s, Dye Transfer Print
![](https://axiomfineart.com/wp-content/uploads/2024/12/3-3.png)
Banksy ‘Flower Thrower Triptych (VIP)’ 2019, Screenprint on Recycled Card
![](https://axiomfineart.com/wp-content/uploads/2024/12/4-2.png)
Christophe von Hohenberg ‘Flowers I’ Fine Art Fiber Paper
![](https://axiomfineart.com/wp-content/uploads/2024/12/5-2.png)
Donald Sultan ‘Blue Flocked Lantern Flowers’ 2024, Shaped Aluminum with Blue Flocking, Ed. of 12, Includes a Certificate of Authenticity
![](https://axiomfineart.com/wp-content/uploads/2024/12/6-2.png)
Bill Beckley ‘Dervish 10 Sunbuli’ 2007, Cibachrome Photograph, Includes a Certificate of Authenticity
![](https://axiomfineart.com/wp-content/uploads/2024/12/7-2.png)
Patrick Gerola ‘Création’ Painting, Fresco on Wood
![](https://axiomfineart.com/wp-content/uploads/2024/12/8-2.png)
Christophe von Hohenberg ‘Flowers II’ Fine Art Fiber Paper
![](https://axiomfineart.com/wp-content/uploads/2024/12/9-2.png)
Uta Barth ‘Untitled (05.19)’ 2005, Mounted Color Photographs, Ed. of 6 + 2AP
![](https://axiomfineart.com/wp-content/uploads/2024/12/10-2.png)
Leon Benn ‘Picked Up by The Shovelful’ 2023, Oil, Oil Stick, Acrylic, and Fabric Dyes on Linen, Includes a Certificate of Authenticity
![](https://axiomfineart.com/wp-content/uploads/2024/12/11-2.png)
Guido Argentini ‘A New Dawn’ 2018, Archival Pigment Print, Ed. of 9, Includes a Certificate of Authenticity
![](https://axiomfineart.com/wp-content/uploads/2024/12/12-2.png)
Hugo Alonso ‘Garden’ 2022, Acrylic on Paper, Includes a Certificate of Authenticity
![](https://axiomfineart.com/wp-content/uploads/2024/12/13-2.png)
Alexandre Pépin ‘Flowers’ 2021, Oil on Canvas
![](https://axiomfineart.com/wp-content/uploads/2024/12/14-2.png)
Patrick Gerola ‘Bouquet Fond Orange’ Painting, Fresco on Canvas
![](https://axiomfineart.com/wp-content/uploads/2024/12/15-2.png)
Francesco Guardi ‘Still Lives Triptych’ Late 18th Century, Oil on Canvas
![](https://axiomfineart.com/wp-content/uploads/2024/12/2-2.png)
Cig Harvey ‘Poinsettia (Pressing)’ 2019, Archival Pigment Print
![](https://axiomfineart.com/wp-content/uploads/2024/12/17-2.png)
Guido Argentini ‘Deep Orchid’ 2012, Archival Pigment Print, Includes a Certificate of Authenticity
![](https://axiomfineart.com/wp-content/uploads/2024/12/18-2.png)
David Armstrong ‘Wildflowers, Bovina’ 2000, Matte Cibachrome Print
![](https://axiomfineart.com/wp-content/uploads/2024/12/19-2.png)
Bill Beckley ‘Dervish of May 18, 2007’ 2007, Cibachrome Photograph, Ed. of 3
![](https://axiomfineart.com/wp-content/uploads/2024/12/20-2.png)
Vincent Fournier ‘Red Poppy Flower with Fiery Plasma’ 2014, Ink jet on Hahnemühle Baryta 315g, American Oak Box, Museum Glass and Brass Plate
![](https://axiomfineart.com/wp-content/uploads/2024/12/21-2.png)
Jane Jones ‘Vanishing I-V’ 2021, Oil on Canvas, Includes a Certificate of Authenticity
![](https://axiomfineart.com/wp-content/uploads/2024/12/22-2.png)
Mona Kuhn ‘Flower’ 2005, Chromogenic Print
![](https://axiomfineart.com/wp-content/uploads/2024/12/23-2.png)
Guido Argentini ‘Medusa’ 2012, Archival Pigment Print, Includes a Certificate of Authenticity
![](https://axiomfineart.com/wp-content/uploads/2024/12/24-2.png)
Donald Baechler ‘Black Flowers’ 2019, Sculpture
![](https://axiomfineart.com/wp-content/uploads/2024/12/25-2.png)
Alberto Montaño Mason ‘Lead Rose (Red)’ 2018
![](https://axiomfineart.com/wp-content/uploads/2024/12/27-2.png)
Alex Katz ‘Late Summer Flowers’ 2013, Silkscreen in 38 colors on 4-Ply Museum Board, Ed. of 50
![](https://axiomfineart.com/wp-content/uploads/2024/12/26-2.png)
John Dugdale ‘Ling’ring Near the Rose, NYC’ 1998, Cyanotype, Ed. of 21
![](https://axiomfineart.com/wp-content/uploads/2024/12/28-2.png)
Mariano Vivanco ‘Peonies Two 021’ 2015, Giclée Print on Epson Semi-Gloss, Ed. of 15
![](https://axiomfineart.com/wp-content/uploads/2024/12/29-2.png)
Simon Pietersz Verelst ‘Still Life of a Poppy, Iris and Peonies in a Glass Vase’ Work Courtesy of Darnley Fine Art
![](https://axiomfineart.com/wp-content/uploads/2024/12/31-2.png)
Bill Beckley ‘Sup? White’ 2014, Cibachrome Photograph, Ed. of 3
![](https://axiomfineart.com/wp-content/uploads/2024/12/32-2.png)
Jeff Koons ‘Flower Drawing (Blue)’ 2011, Mirror-Polished Stainless Steel with Transparent Color Coating, Ed. of 13
![](https://axiomfineart.com/wp-content/uploads/2024/12/33-2.png)
James Lahey ‘Calla Lily’ 2007, Oil and Mixed Media on Panel, Includes Certificate of Authenticity
![](https://axiomfineart.com/wp-content/uploads/2024/12/30-2.png)
Alberto Montaño Mason ‘Rosas Marinas’ 2010
![](https://axiomfineart.com/wp-content/uploads/2024/12/37-2.png)
Tyler Shields ‘Pollination’ (Framed) 2019, Chromogenic Print, Ed. of 3
![](https://axiomfineart.com/wp-content/uploads/2024/12/38-2.png)
Ramona Stelzer ‘Wildly Kissed I’ 2023, Acrylic on Canvas, Includes Certificate of Authenticity
![](https://axiomfineart.com/wp-content/uploads/2024/12/39-2.png)
Donald Baechler ‘Days of the Week I, II, III, IV, V & VI’ 1994, Woodcut on Paper
![](https://axiomfineart.com/wp-content/uploads/2024/12/40-2.png)
Andre Petterson ‘Periwinkle Dust’ 2024, Mixed Media on Panel, Includes Certificate of Authenticity
![](https://axiomfineart.com/wp-content/uploads/2024/12/41-2.png)
Ernst Haas ‘Red Tulips, Japan’ 1980, Vintage Dye-Transfer Print, Includes Certificate of Authenticity
![](https://axiomfineart.com/wp-content/uploads/2024/12/42-2.png)
Donald Sultan ‘Black Lantern Flowers’ 2018, Shaped Aluminum with Black Powder Coat on Polished Aluminum Base
![](https://axiomfineart.com/wp-content/uploads/2024/12/43-2.png)
Donald Sultan ‘Black Lantern Flowers’ 2018, Shaped Aluminum with Black Powder Coat on Polished Aluminum Base
![](https://axiomfineart.com/wp-content/uploads/2024/12/44-2.png)
Tyler Shields ‘Rose’ 2023, Chromogenic Print, Includes Certificate of Authenticity
![](https://axiomfineart.com/wp-content/uploads/2024/12/45-2.png)
Elise Ansel ‘Oil Study VIl for Ruysch Flower Details’ 2019, Oil on Paper
![](https://axiomfineart.com/wp-content/uploads/2024/12/46-2.png)
Alberto García Alix ‘Naturaleza Muerta’ 2020, Editions 1, 2, 3 of 3 + 1 AP, Includes Certificate of Authenticity
![](https://axiomfineart.com/wp-content/uploads/2024/12/47-2.png)
Vincent Fournier ‘Rosa Incognita’ 2023, Ink Jet Print on HR Ilfoflex Prestige, American Oak Box, Museum Glass, and Brass Plate
![](https://axiomfineart.com/wp-content/uploads/2024/12/48-2.png)
Cig Harvey ‘Poppies (Exploding)’ 2020, Archival Pigment Print, Includes Certificate of Authenticity