Celebrating Contemporary Human Elegance
In contemporary art, Form + Figure: Poetry of the Human Body brilliantly showcases contemporary human elegance. Artists like Bastiaan Woudt and Barbara Cole masterfully blend abstraction with the grace and beauty inherent in the human form. Their works elegantly explore delicate lines and curves, transforming the body into a canvas rich with shadows and luminous contrasts.
A Quiet Magnetism
Across each composition, a quiet magnetism radiates, drawing viewers into subtle gestures, soft movements, and ethereal silhouettes reminiscent of half-remembered dreams. Furthermore, Woudt and Cole craft imagery that invites a slower gaze, encouraging reflection rather than spectacle. Whether placed in minimalist environments or used to contrast more structured interiors, their pieces bring a lyrical sense of poise into any space. Consequently, their artworks feel both intimate and expansive—anchoring the viewer while suggesting something just beyond reach.
Endless Interpretations of Contemporary Human Elegance
Moreover, the strength of this collection lies in its ability to transcend expectations, allowing for countless interpretations. Each work infuses environments with refined mystery and timeless allure, offering a visual language that promotes introspection and calm intrigue. Through these nuanced representations, contemporary human elegance emerges not merely as a visual concept but as an emotional resonance—one shaped by light, movement, and the quietly powerful presence of the human form
Experience the Artful Essence
Ultimately, exploring contemporary human elegance becomes an immersive encounter with beauty, refinement, and subtle narrative. Every curve and shadow crafted by Bastiaan Woudt and Barbara Cole tells its own poetic story of balance, vulnerability, and strength. Therefore, allow yourself to linger with these artworks—letting them evoke reflection, admiration, and a profound appreciation for the artful essence of the human body.

Barbara Cole ‘No Worries Lenticular’ from Two People 2012, Interlaced Inkjet Print with Lenticular Lens

J.Leo ‘Dune & Beach by Anna’ 2021, Fine Photography, Edition of 10

Bastiaan Woudt ‘Tino High Hat (Close Up)’ 2020, Archival Pigment Print

Barbara Cole ‘Magic Carpet’ from Chromatics 2010, Chromogenic Print Face-Mounted to Plexiglass, Back-Mounted to Hidden Aluminum Channel

Barbara Cole ‘Interval Lenticular’ from White Noise 2008, Interlaced Inkjet Print with Lenticular Lens, Framed in White

Sarfo Emmanuel Annor ‘Blossom Dreams’ 2022, Fuji Crystal DP II

J.Leo ‘Les Moutons de Valou’ 2017, Mounted on Didond

Bastiaan Woudt ‘Athena’ 2022, Archival Pigment Print on Innova Baryta Paper

Barbara Cole ‘Prince and Stars’ from Le Petit Prince for National Ballet of Canada 2016, Chromogenic Print Face-Mounted to Plexiglass, Back-Mounted to Hidden Aluminum Channel

Noé Sendas ‘Staged Body’ (backfacing) 2023, Inkjet Print (Pigmented Inks) on Luster Paper

Herb Ritts ‘Michael Jordan, Chicago’ 1993, Gelatin Silver Print

J.Leo ‘Mont Russe’ 2023, Fine Art Photography

Barbara Cole ‘Together Forever Lenticular’ from Two People 2012, Interlaced Inkjet Print with Lenticular Lens, Framed in White

Elon Ganor ‘The Box’ 2013, Fine Art Print

Bastiaan Woudt ‘Crescent’ 2023, Archival Pigment Print

Tortora & Travezan ‘Flora 14’ 2015, Contemporary Photography

Sarfo Emmanuel Annor ‘Illuminated’ 2022, Fuji Crystal DP II

Bastiaan Woudt ‘Alek’ 2021, Archival Pigment Print on Innova Baryta Paper

Ricky Cohete ‘Tulip’ 2020, Color Photograph, Archival Pigment Print

Barbara Cole ‘Miroir D’Eau Lenticular’ from Meditations 2014, Interlaced Inkjet Print with Lenticular Lens, Framed in White

Trenity Thomas ‘Blue Moves’ 2020, Archival Pigment Print

Erik Madigan Heck ‘Untitled’ Chromogenic Print

Benjamin Valode ‘Errance 7’ 2022, Acrylic and Coloured Pencil on Canvas

Deana Nastic ‘Nude’ 2017, Archival Pigment Print

Marine De Soos ‘Groupe de voiles d’enfance I’ 2024, Bronze

Mitchell Funk ‘Silhouette Man in Central Park with Golden Light’ 1971

Barbara Cole ‘Etching’ from Figure Painting 2017, Chromogenic Print Face-Mounted to Plexiglass, Back-Mounted to Hidden Aluminum Channel

Erik Madigan Heck ‘Untitled’ Chromogenic Print

J.Leo ‘La Face de Bellevarde’ 2023, Photography

Barbara Cole ‘Dissolution’ from Meditations 2014, Chromogenic Print Face-Mounted to Plexiglass, Back-Mounted to Hidden Aluminum Channel

Isaac Julien ‘ECLIPSE (PLAYTIME)’ 2013, Endura Ultra Photograph

Bastiaan Woudt ‘Tip’ 2022, Archival Pigment Print

Barbara Cole ‘Untitled 002, Baroque Church’ 2023, Chromogenic Print

Andrea Torres Balaguer ‘Myth’ 2020, Fine Art Print

Txema Yeste ‘Silhouette’ 2018, Gelatin Silver Print

Alex Webb ‘Kampala, Uganda’ 1980, Fuji Crystal Archive Print

Bastiaan Woudt ‘Contrast’ 2022, Archival Pigment Print on Innova Baryta Paper

Scott Barrow ‘NYC 8A.M’ ca. 1981, Kodachrome Original, Archival Pigment Print on Paper

Andrea Torres Balaguer ‘Poème Jaune’ 2021, C-print with Paint

Gérard Uféras ‘Gran Teatre del Liceu Barcelone, Espagne’ 1992, Archival Pigment Print

Barbara Cole ‘Passage’ 2008, Inkjet Print

Deana Nastic ‘Silhouette Yas VI’ 2018, Fine Art Print

Lee Yanor ‘Runner 102’ 2015, C Print & Print on Voile

Barbara Cole ‘Ala Prima’ from Figure Painting 2017, Chromogenic Print Face-Mounted to Plexiglass, Back-Mounted to Hidden Aluminum Channel

Juan Sebastian from ‘Sombras’ Fine Art Photography

Rodney Smith ‘Callista in Top Hat Blurred, Snedens Landing, NY’ 2008, Archival Pigment Print

Barbara Cole ‘Retreat’ From Meditations 2014, Chromogenic / Inkjet Print, Mounted to ACP

Rodney Smith ‘Leaning House, Alberta, Canada’ 2004, Archival Pigment Print

