The Artistry of Textile Art
Textile art uniquely merges the tactile with the visual, creating an intimate dialogue where form, texture, and craftsmanship seamlessly converge. Our curated exhibition, Interwoven Forms, celebrates textile art’s enduring power, showcasing evocative works by renowned artists Lia Cook, Kiyomi Iwata, and Antoine Peters.
A Masterful Language of Fibers
Each artwork within Interwoven Forms illustrates the profound mastery inherent in fiber art. Here, the warp and weft transcend traditional utility, speaking instead as a rich, expressive language. From Lia Cook’s compelling woven narratives to Kiyomi Iwata’s delicate sculptural forms and Antoine Peters’ innovative textile designs, this exhibition highlights the transformative potential of textile art.
Dimensionality and Texture
The interplay of fibers creates stunning dimensionality in these artworks. As light dances across woven surfaces, it shifts perceptions, inviting closer exploration. Intricate knots, delicate gradients, and precise stitching detail the meticulous artistry behind each creation, underscoring the significance of texture, pattern, and materiality in contemporary textile art.
Cultural Threads and Conversations
Within Interwoven Forms, textiles surpass mere decoration, evolving into powerful conduits for cultural dialogue. These pieces carry echoes of heritage, gracefully balanced with contemporary artistic perspectives, bridging the gap between traditional craft and modern innovation.
Step Into Interwoven Forms
Enter the captivating world of Interwoven Forms, where textile art is not merely decorative—it transforms spaces, tells stories, and stirs emotions. Each thread in this collection is intentionally woven, narrating tales of creativity, memory, and the endless possibilities of form.
Manabu Mabe ‘Tapestry Composition’ ca. 1960, Wool, Signed, Includes Certificate of Authenticity
Linnea Glatt ‘Aperture #2’ 2020, Cotton Gauze
Gulnur Mukazhanova ‘10.24 from the Series ,Bosaga (Threshold)’ 2024, Fine Merino Wool Felted by Hand, Brocade, Lurex, Velour, Pins
Gulnur Mukazhanova ‘Post Nomadic Reality #33’ 2021, Fine Merino and Silk Wool Felted by Hand, Includes Certificate of Authenticity
Lia Cook ‘Face Maze: Three Generations’ 2006, Cotton
Lilla Kulka ‘Pair’ 1989, Sisal, Wool, Stilon, Includes Certificate of Authenticity
Jan Hladik ‘Wings’ 1973, Hand-Dyed Wool, Includes Certificate of Authenticity
Terri Friedman ‘Anticipatory Grief’ 2023, Cotton, Wool, Acrylic, Chenille, Metallic Fibers
Kiyomi Iwata ‘Red Nova Three’ 2009, Silk Organza, Includes Certificate of Authenticity
Carolina Jiménez ‘Medianoche (Midnight)’ 2022, Linen and Indigo Dyed Cotton, Includes Certificate of Authenticity
Sheila Hicks ‘Hizikia’ 2023, Linen, Cotton, Pure Pigment Acrylic Fiber
François Mascarello ‘Wild Silk, 22.21’ Tapestry Painting, 2022, Raw silk cut and Hand Sewn with Invisible Stitches on White Linen, Includes Certificate of Authenticity
Caroline Bartlett ‘Every Ending has a New Beginning’ 2021, Hand-Painted and Mono-Printed, Stitched, Manipulated Linen, Cotton Threads, Includes Certificate of Authenticity
Grethe Sørensen ‘Tokyo Bay II’ 2016, Tapestry
Gulnur Mukazhanova ‘Post-Nomadic Reality #25’ 2020, Merino and Silk wool, Felted by Hand
Gudrun Pagter ‘Red’ 2015, Sisal, Flax
Joan Miró ‘Spanish Dancer’ 1960, Hand-Woven Wool Tapestry, Ed. of 10, Includes Certificate of Authenticity
Grethe Sørensen ‘City Light 8’ 2011, Cotton Thread Jacquard Weaving
Antoine Peters ‘9 Soft Dots Polyptych’ 2024, Mixed Textiles on Wooden Frame
Jan Hladik ‘Der Rote Gobelin’ 1966, Hand-Dyed Wool, Includes Certificate of Authenticity
Marlon Wobst ‘Gerangel’ 2021, Felted Wool, Includes Certificate of Authenticity
Caroline Bartlett ‘Recast I’ 2023, Linen, Cotton Thread, Perspex
Gulnur Mukazhanova ‘Post-Nomadic Reality #26’ 2020, Merino and Silk Wool, Felted by Hand
Shin Young-Ok ‘Lyric Space’ 2014, Korean Silk Fabric and Handmade Ramie Threads, Includes a Certificate of Authenticity
Jo Barker ‘Flow’ 2015, Cotton, Wool, Woven, Linen, silk and Embroidery Threads
Anne Wilson ‘Remember’ 2020, Damask Cloth, Ink, Gold Thread Embroidery
Anne Wilson ‘Material Drawing no. 11.19’ 2018-2020, Damask Cloth, Ink, Thread
Trish Andersen ‘Only Good Health’ 2024, Wool
Jo Barker ‘Dark Shimmer’ 2017, Wool, Cotton and Embroidery Threads, Includes a Certificate of Authenticity
Pip Culbert ‘Patchwork Coverlet (72)’ 1998, Fabric, Cutted, Pins, Includes a Certificate of Authenticity
Firouz Farmanfarmaian ‘Talisman Tattoo’ 2023, Hand-Knotted New Zealand Wool, Silk High, Low Cut, Includes a Certificate of Authenticity
Miranda Makaroff ‘Mad Tea Party’ 2023, Tapestry, Includes a Certificate of Authenticity
Ellen Grieg ‘Tranformation’ 2017, Textile Work in Hand-Coloured Nylon, Includes a Certificate of Authenticity
Patrick Tagoe-Turkson ‘348 Ayeforyer 2’ 2024, Found Flip Flops on Suede, Includes a Certificate of Authenticity
Natasha Zupan ‘Color Boundaries #63’ 2018, From the Series Color Boundaries, Sand, Pigments, Clothes
Trish Andersen ‘Easier Said than Done’ 2024, Wool
Atticus Adams ‘Shadow Hydrangea’ 2024, Aluminum Mesh, Gesso, Acrylic, Rivets, Wire, 23k Gold, Copper, and Aluminum Leaf
Adela Akers ‘Five Windows’ 2005, Linen and Metal Foil
Fiona Hutchison ‘Over Fall’ 2007, Tapestry, Woven, Includes a Certificate of Authenticity
Grethe Sørensen ‘Woven Detail II’ 2023, Handwoven Cotton, Includes a Certificate of Authenticity
Marina Gasparini ‘Dancers of Time’ 2016, Cotton Thread, Wire, Textile Hardener, Includes a Certificate of Authenticity
Catharina van de Ven ‘Tulips 644’ 2023, Linen, Cotton Lining
Diana Remeikyte ‘On My Way’ 2024, Hand-Tufted Painting, Mixed Thread, Includes a Certificate of Authenticity
Sienna Martz ‘Pomegranate Petit Slurp’ 2024, Bamboo, Thread, Non-Solvent Adhesive, Mounted on Wood, Includes a Certificate of Authenticity
Chiharu Shiota ‘Connected to the Universe’ 2024, Thread on Canvas, Includes a Certificate of Authenticity
Atticus Adams ‘Hydrangea Edged Portal’ 2024, Aluminum Mesh, Gesso, Acrylic, Rivets, Wire
Magdalena Abakanowicz ‘Vieux Rouge’ 1983, Sisal Weaving
Pepe López ‘Revolution series #D’ 2022, 100% Wool, Hand-Knotted – 120 kpsi, Persian Knot, Includes a Certificate of Authenticity
Anda Klancic ‘Still Life’ 1996-2020, Hand-Controlled, Machine-Embroidered Lace, Cotton, Synthetic, Metal Threads, Includes a Certificate of Authenticity
Susan Morris ‘Sun Dial: NightWatch, Activity and Light (Tilburg Version)’ 2016, Jacquard Tapestry, Silk and Linen, Eds. 2, 3 of 3 + 2AP, Includes a Certificate of Authenticity
Mathieu Matégot ‘Apollo’ c.1950s, Portalegre Tapestry, Ed. 3 of 6
