Where Boundaries Blur, Materials Shift, and Form Takes on New Meaning.
Contemporary art exists in a space of constant evolution—never fixed, always unfolding. The Edge of Now explores this liminal state, where materials defy expectation, compositions hold quiet tension, and form is an open-ended conversation.
This collection is not about conclusions; it’s about what happens in the in-between. Shapes hover at the edge of recognition, textures interrupt smooth expanses, and negative space carries as much weight as the object itself. There is movement in stillness, structure in fluidity, a dialogue between presence and absence. These works lean into ambiguity, where simplicity is layered, and restraint is its own kind of expression.
Each piece invites you to pause—to observe the way light interacts with surface, how a single gesture shifts perception, how balance is created not by symmetry, but by intention. This is art in motion, existing in the now but always pushing forward.
The Edge of Now is not a place, but a feeling—of transition, of possibility, of art existing just before definition.
Julian Opie ‘Walking in Busan 4’ 2023, Auto Paint on Aluminium, Includes Certificate of Authenticity
Tony Cragg ‘Elliptical Column’ 2019, Stainless Steel, Includes Certificate of Authenticity
Hyun Ae Kang ‘Words Triology’ 2023, Monochrome Painting
Jesus Rafael Soto ‘Multiple Sed/100’ 2018, Mixed Media on Plexiglass, Ed. of 100, Includes Certificate of Authenticity
Jeppe Hein ‘A Touch of Purple (Light Purple)’ 2024, Carbon-Fiber Reinforced Plastic, Chrome Lacquer (Silver, Light Purple), Magnet, Ribbon (Rose), Includes Certificate of Authenticity
Carlos Cruz-Diez ‘Inducción Al Amarillo Mirtha Panam’ 2010, Chromography on Aluminum, Ed. 1 of 3
Rashid Johnson ‘Untitled Large Anxious Red’ 2021, Silkscreen with Hand Applied Pigment, Ed. of 51
Paul Villinski ‘Installation for Gossip Girl TV Series’ 2010, Aluminum (Found Cans), Wire, Soot, Includes Certificate of Authenticity
John M. Armleder ‘Quarante Cercles (FS 218)’ 1988-2012, Wool Carpet, Ed. of 8
Richard Misrach ‘Untitled (November 9, 2013, 9:49am)’ 2013, Pigment Print, Ed. of 5 +1AP
Julian Opie ‘Danielle’ 2016, Auto Paint on Aluminum, Includes Certificate of Authenticity
Tom Wesselmann ‘Mixed Bouquet with Leger’ 1993, Screenprint in Colors on Museum Board, Ed. of 90, Includes Certificate of Authenticity
Jeppe Hein ‘Dark Orange and Light Turquoise Mirror Balloon’ 2023 Glass Fiber Reinforced Plastic, Chrome Lacquer (Dark orange, Light Turquoise), Magnet, Ribbon (White Smoke), Includes Certificate of Authenticity
Hyun Ae Kang ‘HaLo X’ 2019
Damien Hirst ‘Dequalinium Chloride’ 2016, Woodcut on Wove Paper, Ed. of 55, Includes Certificate of Authenticity
Jesús Rafael Soto ‘Homenaje a lo Humano 19/175’ Wood, Metal and Paint, Ed. 19/175, Includes Certificate of Authenticity
Roy Lichtenstein ‘Bicentennial Print’ 1975, Lithograph and Screenprint on White Wove Paper, Ed. 156/200, Includes Certificate of Authenticity
Joel Meyerowitz ‘Bay/Sky, Provincetown, Massachusetts, 1987’ Modern Print, Pigment Print on Canson Platinum, Includes Certificate of Authenticity
Andy Moses ‘Geodesy 1516’ 2023
Liu Bolin ‘Hiding in Color’ 2016, Acrylic, Ed. of 6, Includes Certificate of Authenticity
Tom Wesselmann ‘Study for Sunset Nude with Matisse’ 2002, Ink and Coloured Pencil on Tracing Paper, Includes Certificate of Authenticity
Mary Heilmann ‘No Passing’ 2017 Color Aquatint, Ed. of 30 +10AP, Includes Certificate of Authenticity
Mary Heilmann ‘Descending Squares (No.14)’ 2018, Earthenware with Glaze
François Bonnel ‘Initiation’ 2024, Acrylic on Linen, Includes Certificate of Authenticity
Paul Villinski ‘Wave (Right)’ 2017, Found Aluminum Cans, Wire, Gold Leaf, Includes Certificate of Authenticity
Noh Sang-Kyoon ‘The Whole Towards the Hole I’ 1999
Tara Donovan ‘Stratagem II’ 2024, CDs, Courtesy of Pace Gallery
