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The Quiet Season | A Palette of Autumnal Restraint

An Autumnal Curation Defined by Subtle Emotion, Tonal Quietude, and the Art of Restraint.

A Curation Rooted in Quiet Intensity

Autumn is not always ablaze with color. Sometimes, it arrives in half-tones—hushed, weighty, and contemplative. The Quiet Season is an autumnal art curation shaped by this softer narrative: one of nuanced light, subdued emotion, and the stillness that follows transition. Each selected work favors restraint over grandeur, intimacy over drama. Here, visual subtlety is the language of feeling.

The result is a collection that doesn’t fill space—it holds it.

Artists Who Embody Autumn’s Stillness

This edit features works by a diverse range of artists, among them William Eggleston, Louise Crandell, and Arno Rafael Minkkinen. Eggleston’s photographs, rich in cinematic stillness, suggest a world paused mid-thought. Crandell’s atmospheric surfaces evoke dreamlike twilight—moments suspended in a veil of memory. Minkkinen’s surreal compositions are equally introspective, using the body as a gesture of quiet tension within vast, natural settings.

These are just a few of the many artists in the curation who share an affinity for pared-back aesthetics and emotional nuance. Together, their voices form a visual dialogue that embraces shadow, silence, and softness.

Where Tonal Clarity Meets Emotional Ambiguity

At its heart, The Quiet Season is an ode to mood—art that invites pause rather than reaction. Muted palettes, haunting compositions, and restrained gestures all converge to create a refined, introspective viewing experience. These are works that linger long after the eye has moved on—echoes of emotion, held in shape and shade.

This autumnal art curation offers more than seasonality—it offers reflection. It invites collectors, designers, and curators to engage with stillness as an aesthetic, and with restraint as a form of power.

Explore the Collection.

Seontae Hwang ‘The Sunshine Room VI’ 2018, Tempered Glass, Sandblast & LED Backlit, Includes a Certificate of Authenticity

Renato D’Agostin ‘Paris’ 2005, Silver Gelatin Print, Includes a Certificate of Authenticity

Tina Modotti ‘Untitled (Flowers)’ 1926, Vintage Silver Gelatin Print, Ed. of 1, Includes a Certificate of Authenticity

William Lamb Picknell ‘Hunting, Pont-Aven’ 1887, Oil on Canvas, Includes a Certificate of Authenticity

Jean-Baptiste Huynh ‘Amour en Cage’ Nature, 2012, Archival Pigment Photograph on Baryta Paper, Ed. of 7

Heath Wae ‘A Circle is Not a Boundary but a Doorway Unwound’ 2025, Oil on Canvas, Includes a Certificate of Authenticity

William Eggleston ‘Untitled (Crossing Guard)’ 1970-1974, Dye Transfer Print, Printed 2012, Ed. of 10, Includes a Certificate of Authenticity

Arno Rafael Minkkinen ‘Fosters Pond [Writing on Water]’ 2000, Archival Pigmented Inkjet Print on Museo Silver Rag Paper, Luster Surface, Includes a Certificate of Authenticity

Joel Meyerowitz ‘New York City’ 1966, Dye Transfer Print, Ed. 1 of 10

Brian Graham ‘Autumn Summit’ 2019, Acrylic on Canvas

Renato D’Agostin ‘The Harmony of Chaos #10’ 2012-2019, Silver Gelatin Print, Includes a Certificate of Authenticity

Matteo Massagrande ‘Pergola’ 2018, Oil on Board, Includes a Certificate of Authenticity

Sarah Moon ‘Les Tulipes’ 2003, Carbon Print, Ed. of 15, Includes a Certificate of Authenticity

Hiroshi Sugimoto ‘Tyrrhenian Sea, Capri’ 1994, Silver Print, Ed. of 25, Includes a Certificate of Authenticity

Sarah Moon ‘Dior Maria Grazia Chiuri, n.d.’ Archival pigment print, Ed. of 15, Includes a Certificate of Authenticity

Tamas Dezso ‘Dump (Near Aiud, West Romania)’ 2012, Chromogenic print

Louise Crandell ‘Falling Floating Flying’ 2021, Oil and Wax on Linen, Includes a Certificate of Authenticity

Ron Hicks ‘Girl With Braids’ 2023, Oil on Canvas Mounted to Board, Includes a Certificate of Authenticity

Yayoi Kusama ‘Autumn’ 1952, Pastel and Ink on Paper, Includes a Certificate of Authenticity

Robert Polidori ‘Senora Faxas Residence, No. 4, 2 #318 (at the Corner of Avenida 5ta.) Miramar, Havana, Cuba’ 1997 Fujicolor crystal archive print mounted to Dibond, Ed. of 10

Renato D’Agostin ‘Archaeologies – Los Angeles’ 2013, Silver Gelatin Print

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